Tiny Bubbles Official Soundtrack

My first game soundtrack (and album, for that matter) has been released! I’m happy to announce that the official soundtrack for the very successful indie game Tiny Bubbles is now available on virtually all digital streaming platforms and online stores. Click on the image above or search your digital purveyor of choice, it has been widely published to most services.…

Tiny Bubbles

I had the distinct pleasure of working with Pine Street Codeworks to help bring this enchanting puzzle game to life! For this project I was essentially the “audio guy” handling nearly every aspect of the audio experience: Audio Director, Composer, Sound Designer, Implementer. I worked directly with Stuart Denman, the principal Engineer/Artist/Designer to really hone in on a relaxing yet…

Fight Camp Musical Stingers

Here is a collection of musical “stingers” from Fight Camp by Electrolab Games. I acted as the Audio Director, Sound Designer, Composer and Implementer for this title.  This video gathers all of the stingers that I created and plays them along with their associated image so you get an idea of what the context is. I used about a 50/50 mix…

Fight Camp – Gameplay captures

Here are some in-game video captures from Fight Camp by Electrolab Games. I acted as the Audio Director, Sound Designer, Composer and Implementer for this title.  The tone of the game is sort of a quirky, cartoonish treatment of a very slickly produced and aggressive subject. I took elements from both worlds and created an audio treatment that fits right in…

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C’est la Mort CDs released!

Tension Studios client C’est la Mort has just released their debut CD along with an EP of remixes.  Tension Studios mixed and engineered the album, Empty Words Fill Lonely Spaces, plus contributed a remix to the EP (In the Soft Focus Light of I Love You) as well as mastering it.  The CD is getting great reviews, like this one.

Quick update

Just finished mixing the debut album for C’est La Mort, I’ll be doing a remix of one of the songs too.  Also recorded some backing vocals for bathyscaph and Eben Eldridge.  Details and links to come as soon as I get them.

Click to go to Official Fan Page

Erie ambient music

This is another ambient piece of music that I wrote for Evil Dead: Regeneration. This is what is playing in the background as you wander around an insane asylum. Traditional instrumentation of reverbed piano, strings, synth pad with filter and pitch modulations. There’s also some manipulated field recordings in there, including a down pitched laundromat. Composition, stereo mix

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Wacky Midget Possesion Music

This is an excerpt from an original composition that I did for a gameplay mode where the player posses a midget Deadite. Go figure. I was given “Stand Together ” by the Beastie Boys as inspiration (or rip-off). The original song has a comedic sax loop that sounds more like a clucking chicken, but then it gets more funky and…

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More Ambient Spookiness

This is some typical creepy texture undertone composition that I did for Evil Dead: Regeneration. I wrote about ten pieces for various levels, all very moody and dark. Classic horror movie instrumentation: tremolo strings, ominous kettle drum, flanged background texture, and a little bowed glass patch instead of the traditional waterphone. Composition, 5.1 mix encoded into Dolby PLII

Liquored Water

This is an excerpt from Liquored Water, a track that appeared on the Control-Alt-Delete Cat Compilation II. This was one of those songs that was born overnight. I literally stayed up all night writing it because I didn’t want to lose any momentum. It started off with the original guitar loop that I recorded through a couple of pedals. The…


This is an excerpt from a piece that I wrote a few years ago with one of my favorite colaborators, Daniel Blackmoore. This was one of those songs that was inspired by a couple of samples but I needed some initiative to flesh it out. Daniel provided me with motivation and a fresh perspective, but most importantly is that he…

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Taekwondo Action

This is an excerpt from the main title sequence of Equal Impact, an independent film shot and produced in Seattle. They wanted a very percussive and rhythmic track, and they also had some existing edits that needed to be synced to the music for dramatic effect. This was an all MIDI and sampler based track and I used a bass…